So I’m just about to stash away at the top of the closet the super-generous box of early ’80s OP magazines (the predecessor of the much more staid and seemingly market-researched Option) that Clifford Ocheltree gifted me through the mail last month (18 of the 26 alphabetically themed issues, in excellent condition), and I’m sitting… Continue reading Smokin’ OPs
Inspired by a December New Yorker piece on “distraction-free devices” — i.e., apps designed to help writers focus — longtime Boston music writer and critic Jim Sullivan asked on facebook this morning about his fb friends “old-school linear writing” experiences: “I look at some of those stories now and wonder how I put them together… Continue reading How We Wrote
Raymond Cummings just asked his facebook friends an excellent question that I’m amazed nobody has ever asked me before: “Who were the most important writers of your youth? Let’s make the cut off point age 13 or so (13 is the intended ceiling).This can mean: Novelists Comedians Cartoonists Lyricists Poets Comic book authors Etc” This… Continue reading Writerly Wroots
What’s most surprising now is that eight-track tapes were even still available at all by New Year’s Day, 1982 — or that eight-tracks were ever considered “venerable” in the first place. Nonetheless, plenty of good quaint context in this journalistically written college feature: Bow Wow Wow, R.O.I.R., Walkmen, “ghetto blasters,” smaller cars… Plus I like… Continue reading Cassettes! The Wave of the Future!
Posted more for socio-historical interest, than because it’s any good: A confusing college-daily-paper trend piece, conflating at least two different kinds of music (am I talking about new wave or talking about funk? why can’t I make up my mind?) and tossing in a questionable anti-disco subtext to make things even more disingenuous. Rap and… Continue reading DOR! The Wave of the Future!
Recently stumbled upon a 1980-’84 archive I had no idea existed for the Missourian, Columbia, Missouri’s daily paper staffed exclusively by University of Missouri journalism students (and professors, who as I recall did the editing.) The piece below is written in what the people teaching us called Wall Street Journal-style: Specific example into general trend,… Continue reading Algorithms! The Wave of the Future!
Stupid, sexist, and wrong-headed in so many ways, except the way that says this guitaring New York singer-songwriter’s one and only album (which I assume must’ve just arrived randomly at the college newspaper office) wasn’t especially good. Also, inadvertently funny. maneater, 1981
And now, something completely ridiculous for the time capsule: Written in straight grey pseudo-objective journalismese, an attempt to explain to squaresville suburban Detroit weekly newspaper readers what exactly is this new wave punk rock stuff they keep hearing about. Some of the predictions are pretty amusing: “no new wave band will ever achieve the mass… Continue reading What is New Wave??
In high school I was clearly even more heartless than the guy who came up with that old joke about the harp seal who walked into a club. (Ba-dum bum.) My budding and thankfully short-lived Ayn Randian side shines all through this teenage travesty, which observant Stairway to Hell readers will note I later cannibalized… Continue reading Hate Speech About Harp Seals
College, senior year. I guess I just liked the exercise of reviewing a best-of collection — especially one I didn’t technically own. In retrospect, given the essentiality of their first four albums, seems like it’d be pretty redundant. As for Autoamerican, I’ve always been fine with a 45 of “Rapture.” Not sure I’ve ever even… Continue reading Blondie review, 1981